For information about playing
at Milestones including equipment and facilities
Welcome to Milestones Jazz Club, since 1996 Lowestoft's premier
Whilst catering to a
wide range of styles, Milestones highlights the more modern end
of the jazz spectrum in an informal, friendly atmosphere. From small
trios to 18-piece big bands, we feature everything from bebop to
hard bop, latin to fusion, cool jazz to free jazz. For details of
our next gig see below
World class musicians
performing in recent years have included Peter King, Don Weller,
Ingrid Laubrock, Henry Lowther, Jack Parnell, Jim Mullen, Roger
Beaujolais, Polly Gibbons and The Eastern Bloc Big Band.
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To attend Milestones
concerts you can pay on the door or book online here
resident at Hotel Hatfield, Esplanade, Lowestoft and opens
its doors at 7pm on the first Sunday of every month with
an admission price of usually £14 or £7 for under 25s - no club membership
necessary. For enquiries, information on how to find us or to
join our extensive mailing list please click
doors, 7.30pm start
The Nigel Price Organ Trio
guitarist Nigel Price returns to Milestones for the penultimate
date on his 43-date national tour. One of the most exciting and
popular players in the UK today, his hard-swinging, blues-soaked
grooves feature long flowing lines performed over originals and
standards in the spirit of Wes Montgomery, Jimmy Smith and 1960s
Blue Note jazz. Petrol is thrown on the fire by the incredible
Ross Stanley (Hammond organ) and Joel Barford (drums).
Visit Nigel's website
here and watch plenty
of YouTube footage here
£14/£7 (U25) on the door or online
the most dynamic and gifted guitarist on the British jazz scene
originality and ensemble playing are terrific"
the group music with Hammond organist Ross Stanley a treat
as always that packs the sets real punch",
is just about as good as it gets..."
and Joel Barford
we're in a recession. Now you can all know what it's like to be
Gilad Atzmon to the audience at The Bath Festival, 25 May 2008,
quoted in The Guardian (31 May 2008)
refrain will be coming soon: that's the part I like the best and
the abrupt way in which it flings itself forward, like a cliff against
the sea. For the moment it's the jazz that's playing; there's no
melody, only notes, a host of little jolts. They know no rest, an
unchanging order gives birth to them and destroys them, without
ever giving them time to recover, to exist for themselves. They
run, they hurry, they strike me with a sharp blow in passing and
are obliterated. I should quite like to hold them back, but I know
that if I managed to stop one, nothing would remain between my fingers
but a vulgar, doleful sound. I must accept their death; I must even
will it; I know of few harsher or stronger impressions.
From 'La Nausée', Jean-Paul Sartre (1938)
blues is real, its not perverted or thought about, its
not a concept. It is a chair, not a design for a chair, or a better
chair or a bigger chair or a chair with leather on ... it is the
first chair. It is a chair for sitting on, not for looking at or
being appreciated. You sit on that music".
Lennon interviewed by Jann S Wenner, Rolling Stone (1970)
can't understand why people are frightened of new ideas. I'm frightened
of the old ones".
Cage quoted in 'Conversing with Cage', Richard Kostelanetz (1988)