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Musicians
page For information about playing at Milestones including equipment and facilities 
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Whilst catering to a wide range of styles, Milestones highlights the more modern end of the jazz spectrum in an informal, friendly atmosphere. From small trios to 18-piece big bands, we feature everything from bebop to hard bop, latin to fusion, cool jazz to free jazz. For details of our next gig see below World class musicians performing in recent years have included Peter King, Don Weller, Ingrid Laubrock, Henry Lowther, Jack Parnell, Jim Mullen, Roger Beaujolais, Polly Gibbons and The Eastern Bloc Big Band. Help us to move into the 21st century by building our online presence - please go to our Facebook page and follow, like and share everything.. To attend Milestones concerts you can pay on the door or book online here
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Sunday
3 December
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7pm doors, 7.30pm start
The Nigel Price Organ Trio Amazing guitarist Nigel Price returns to Milestones for the penultimate date on his 43-date national tour. One of the most exciting and popular players in the UK today, his hard-swinging, blues-soaked grooves feature long flowing lines performed over originals and standards in the spirit of Wes Montgomery, Jimmy Smith and 1960’s Blue Note jazz. Petrol is thrown on the fire by the incredible Ross Stanley (Hammond organ) and Joel Barford (drums). Visit Nigel's website
here and watch plenty
of YouTube footage here Admission £14/£7 (U25) on the door or online "…probably
the most dynamic and gifted guitarist on the British jazz scene
today"
"It’s
the group music – with Hammond organist Ross Stanley a treat
as always – that packs the set’s real punch", "This
is just about as good as it gets..."
Ross Stanley and Joel Barford |
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Carla
Bley
Richard
Davis
John
Marshall
Charles
Gayle |
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"OK, we're in a recession. Now you can all know what it's like to be jazz musicians". Saxophonist Gilad Atzmon to the audience at The Bath Festival, 25 May 2008, quoted in The Guardian (31 May 2008)
The refrain will be coming soon: that's the part I like the best and the abrupt way in which it flings itself forward, like a cliff against the sea. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know of few harsher or stronger impressions. From 'La Nausée', Jean-Paul Sartre (1938)
"The blues is real, it’s not perverted or thought about, it’s not a concept. It is a chair, not a design for a chair, or a better chair or a bigger chair or a chair with leather on ... it is the first chair. It is a chair for sitting on, not for looking at or being appreciated. You sit on that music". John Lennon interviewed by Jann S Wenner, ‘Rolling Stone’ (1970)
"I can't understand why people are frightened of new ideas. I'm frightened of the old ones". John
Cage quoted in 'Conversing with Cage', Richard Kostelanetz (1988) |